Glitches & Ghosts, Lancaster April 17th

Just heard my proposal has been accepted for this really interesting interdisciplinary conference ‘Glitches and Ghosts‘ taking place at Lancaster University on 17th April 2019.
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Glitches are moments of disruption; they represent the exposure of technical process, moving away from the binaries of input and output to consider what comes in-between. The growing ubiquity of interconnected systems prompts a desire to understand such intangible networks around the user, an attempt to try and engage with these digital phenomena as alternate forms of ‘presence’ that cannot help but recourse to anthropocentric terms – virus, cloud, render ghost. The frequent ethereality of such language attempts to visualise, embody, and comprehend the profusion of technical systems that we share the atmosphere with, their very terming gesturing to their spectral protrusion into, ostensibly, ‘our’ reality. The eruption of pixels, voxels, and glitches haunts our peripheral vision, a deceptive representation of a far more intangible sphere.

‘Glitches and Ghosts’ seeks to diagnose and analyse contemporary cultural fascinations with the emergence of these digital artefacts, and how their spectral presence has come to define our current technological moment. This symposium aims to bring together researchers who are enticed by the prospect of re-conceptualising definitions of digital-based ontologies as a paradigm to engage with an era of technophobic anxieties and technophilic domination.

We are delighted to announce Dr. Will Slocombe as our keynote. Will’s research ranges between various aspects of twentieth and twenty-first century literature, focusing primarily on Science Fiction (particularly representations of Artificial Intelligence), Postmodernism, and metafictions of experimental literature. His upcoming book Emergent Patterns: Artificial Intelligence and the Structural Imagination is due out in 2019.

 

Abstract :
This is a self-selecting, inspirational, immersive art experience in three scenes involving my smart phone app that transcends a purely informational use, its presence is anchored to 3 surreal soundtracks, each travelling through time creating a nostalgia for a lost future. It is a significant exploration of the impact of cutting edge ‘augmented reality’ technologies on memory & experience. Influenced by local Victorian & Edwardian heritage the work raises ‘ghost’ buildings up from what artist Brion Gysin called the ‘derelict dead’.
Focussing on my hometown of Hastings & St Leonards I have recreated locations such as St Leonards Pier (destroyed in WWII) & the Albert Memorial (lost to fire in 1973) as virtual 3D models viewable using smartphones. All these places no longer exist.
‘Apparitions’ is a series of 3 digital artworks experienced through the app when viewing postcards with the camera in a smartphone that act as triggers. It uses augmented reality ‘AR’ and I designed and released for free in 2018. In Apparitions these augmented reality landmarks are like ghosts which Smartphones can allow us to see. The effect of AR brings to mind a form of modern-day conjuring or seancing of ghosts or phantasms  or alternatively a form of assisted imaginative time travel that enables you to peer through a portal and down the corridors of history.
In this sense Apparitions explores some similar and overlapping territory with Mark Fisher’s hauntological theories in its creation of spectral imagery and sound in relation to lost landmarks and futures. Accompanying which the use of the words ghosts and apparitions in the project is not dissimilar to the use of ghosts or spectres within some hauntological related work in the way that it infers a sense of the spectral after-images or echoes of items from previous eras.
#glitchesandghosts #glitchconference @GlitchGhosts

 

Suggested topics include:

• Digital art – glitch aesthetics, pixels, voxels, drone shadows, distortion etc.
• Détournement and system subversion – e.g. hacker ‘heroes’ and neoliberal dissent.
• Technophobia – network alienation and technological anxieties.
Glitch and/or ghosts in music – synthwave, sampling, remixes, etc.
• Cloud spectrality, unseen network presences and how we visualise them.
• Ghosts in the machine, electronic voice phenomenon, white noise etc.
• Render ghosts, digital advertising and the disruption of imagined ontologies.
• Doppelgangers, sample image databases and the ‘ownership’ of personal data.
• Unshackled virtual consciousness, e.g. A.I. and the breaking of constraints.
Disruption of the virtual – glitches, bugs, cheats and other subversions.
• Digital spectres – eternal or lingering existence within the network.
• Viral anxieties and data transmission; conceptualisations of network ‘presence’.
• Secular digitalities, virtual ‘gods’ or spirits and ontological transcendence.
• Permanence and/or ephemerality of data, system collapse and user anxiety.
• Creative practice and the deployment of glitches and/or ghosts within media.
• Remixed ontologies, disruption of identity boundaries and bricolage forms.
• Omnipresent networks, ‘invasive’ devices (i.e. Alexa) and disconnection.
• Machine learning and emergent behaviour from algorithmic structures.

http://wp.lancs.ac.uk/glitchesandghosts/

APPARITIONS – A MODERN-DAY CONJURING OF PHANTASMS AND PEERING DOWN THE CORRIDORS OF TIME: WANDERINGS 6/52

Delighted to be written about here by author Stephen Prince who introduced me to hauntology which then set me on a a path within Augmented reality, Art & historical convergence !
https://twitter.com/yearinthcountry/status/1092385202087841792?s=21

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https://ayearinthecountry.co.uk/luciana-haills-apparations-a-modern-day-conjuring-of-phantasms-and-peering-down-the-corridors-of-time-wanderings-6-52/

Apparitions : Hastings’ Victorian gothic clocktower & Sufi music in India / Augmented reality 2

(Turn sound on ) One more screen capture of Apparitions – mixing reality of Hastings’ lost landmarks taken to India – triggering on iPad screen capture through ‘Recordit’, turn sound on to hear the ensemble of Sufi music playing over the AR triggered soundscape. The sounds I chose when making the app are encompassing its lifetime and space in Hastings, East Sussex, UK from 1862-1973. In this moment seagulls fly over and a 1920’s motor car drives past, we experience the clocktower’s chime and sounds overlaid on the peaceful Sufi music playing in the hotel gardens of Faluknama Palace, Hyderabad in India from augmented reality – Get the app free here : https://itunes.apple.com/gb/app/apparitions-ar/id1431496591?mt=8

Apparitions : Hastings’ Victorian gothic clocktower in India : Augmented reality

(turn sound on 😉 ) taking Hastings’ lost landmarks to India ! Realtime triggering of Apparitions AR (my free app) on an iPad – you are seeing the screen capture made through free software ‘Record it’ app, turn sound on to hear the ensemble of Sufi music playing over the AR triggered soundscape. The sounds I chose when making the app encompass its lifetime (1862-1973) & environmental space in Hastings, East Sussex, UK. In this moment during WWII a Messerschmitt Bf 110 plane flies over, we experience the clocktower and sounds overlaid on the peaceful Sufi music that is actually being played live in the hotel gardens of Taj Faluknama Palace, Hyderabad in India from augmented reality

make art free !

Hastings Memorial triggering from a postcard outside Mumbai’s legendary CSMT railway

 

Hauntology

Since I began this artwork the concept of hauntology which was new to me has heavily influence my creative output – I read first about it in Stephen Prince’s book ‘A Year In The Country: Wandering Through Spectral Fields: Journeys in Otherly Pastoralism, the Further Reaches of Folk and the Parallel Worlds’ and he told me was informed of Hauntology from the writer Mark Fisher’s whose books I am consuming – firstly ‘Ghosts of my Life : Writings on Depression, Hauntology and Lost Futures’ & now ‘K-Punk’. Clearly all authors written routes are traced back to its origin from Derrida.

Hauntology – (a portmanteau of haunting and ontology[1]) is a concept coined by philosopher Jacques Derrida in his 1993 book Spectres of Marx. The term refers to the situation of temporal, historical, and ontological disjunction in which the apparent presence of being is replaced by a deferred non-origin, represented by “the figure of the ghost as that which is neither present, nor absent, neither dead nor alive.”
If you view my work in augmented reality I would like you to keep this in mind

10.12.18 Artist’s talk on Augmented reality : lost landmarks of Hastings & St Leonards

IMG_0358.PNGI will be giving a public talk for the Bexhill Heritage group on 10.12.18, 7pm – 9pm
at Friends Meeting House, 15A Albert Road (four doors down from Rustico ) and its free to attend. The Apparitions postcards & app will be demonstrated and given to guests
I will show the development of my idea to bring back lost landmarks implementing a bespoke app I designed that runs on smart phones capable of ‘augmented reality’
It raises questions around gentrification and preserving heritage through digital art whilst also giving an enriched experience through surreal time travelling sound scapes for each site

New videos & photos regularly added to Instagram !

glyph-logo_May2016  Follow & add Apparitions on instagram : #apparitions_art

logo-facebook-black-icon-symbol-17  To keep up with events follow & like the Apparitions page on facebook : #Apparitions_Art

twitter  Follow Apparitions on twitter : #St_Victoriana

Download and print the 3 trigger images yourself here